The Yoda Project: An Interview: Transcript

My name is Gwen Smith. I am an artist, I am a mother, I am a seeker, I am a finder, and I’m a player.

The Yoda series is a collection of images which shows the character Yoda as well as the lifespan of our child, River. My partner, Haim Steinbach, has used the Yoda character since the early ‘80s as an avatar for himself. So when people asked him for portraits he often would wear the Yoda mask. Many people still don’t know what he looks like.

We started a postcard / Christmas card project, and the first one was a picture of our cat, Hector, and he had caught a mouse. I remember sending it to my grandmother and my grandmother was like, This is the strangest Christmas card I’ve ever gotten in my life. And I said, well, you know, hang on, it’s going to get weirder!

So subsequently, each year around November, the Yoda mask comes out. River gets a year older and the series continues.

Return to the artist page or video.

Trevor Smith on Gwen Smith: Transcript

I first saw these photographs by Gwen Smith when they would arrive in my mailbox each December as holiday cards. Most family cards that we receive depict awkwardly staged portraits that ruthlessly repress any tensions or interpersonal negotiations we all know were going on.

Smith takes a very different tack using play to amplify the character of her family relationships. The one constant is the presence of a Yoda mask, a depiction of the wise mentor from Star Wars. He appears as an unchanging avatar around which the annual ritual revolves.

In all but one image, it is worn by her husband, artist Haim Steinbach. We see the fashions of play changing as her son, River, grows up. We see him using play to define his own character, to draw closer to or resist the omnipresent Yoda.

I find the unusual invitation Smith makes with her family to roleplay with one another to be very vulnerable and moving.

Return to the artist page.

Gwen Smith

“Every day is a play, every day is a collaboration, every day is making art, in a way.”

 

 

WHO

Gwen Smith (born 1968, United States) is a photographer living and working in New York. She describes herself as “an artist, a mother, a seeker, a finder, and a player.”

 

WHAT

The Yoda Project is a series of photographs taken over the course of sixteen years in collaboration with Gwen Smith’s partner, artist Haim Steinbach, and their son, River. The project began as a humorous family holiday card featuring Steinbach wearing a Yoda mask. Since then, the project has evolved to become a series of portraits of Smith’s family, particularly documenting the growth of their now-teenage son.

 

WHY

Beginning in the 1980s, Steinbach chose to personify himself as Yoda, a main character from the Star Wars movie franchise. He would sometimes wear the mask as a disguise for public appearances. For Smith, Yoda is an irresistible, all-knowing character who embodies playfulness—and it is that spirit she captures in her photographs of her family.

 

LISTEN

PlayTime curator Trevor Smith on why Gwen Smith’s holiday cards are different from the ones you usually receive in the mail. Read the transcript.

 

 

WATCH

Gwen Smith on the strangest holiday card she ever sent her family. Read the transcript.

 

 

WORKS

 

The Yoda Project, 2002–17
Inkjet prints
Courtesy of the artist

Play Digest: Gwen Smith and Angela Washko

Gwen Smith and Angela Washko come to the idea of the avatar and what it might represent from two different places. Nonetheless, the work of both artists can teach us something about compassion, hate, and who we are.

New York-based artist Gwen Smith‘s Yoda Project is something of a collaboration. Her partner, fellow artist Haim Steinbach, has for a number of years taken Yoda as his avatar. Over time Smith has photographed Steinbach in everyday situations, often with their son in the frame—using it as an opportunity to make something of a photographic growth chart and to use this playful approach to illustrate her family’s character. Smith describes herself as “an artist, a mother, a seeker, a finder, and a player,” and her playful (yet thoughtful), observational oeuvre captures this complexity.

Angela Washko has assumed a herculean task using a massive platform: “teaching feminism” and questioning received notions of women within the milieu of World of Warcraft, the most popular, cumbersome, multi-player video game in the world. For her, game hacking is a feminist projectAs assistant professor of art at Carnegie Mellon in Pittsburgh, Washko’s academic work not only embraces play, but messes with it and the expectations we may of it, and it doesn’t stop with tackling the creation and perception of female avatars in WoW: recently she’s taken on that most loathsome of cultural phenomenon, The Game.

“Tired of playing [WoW] as directed,” Washko went off-piste and began asking questions and naming names. Unfortunately, she “did not learn how to turn WoW into a space for equitable, respectful conversation,” as intended, but she has unmasked some ugly truths about who we are and how we present ourselves in the realms of these games: “Who we are online is who we are IRL.” 

 

 

 

 

 

 

Lydia Gordon, assistant curator for PlayTime, will be moderating an upcoming panel, Game Changers: Women Activists in Digital Space, at PEM on Saturday, May 5, at 4:15 pm. Join us for this special PlayTime conversation with artist Angela Washko, scholar and activist Susana Morris, and game designer Jane Friedhoff. The panel is made possible by the George Swinnerton Parker Memorial Lecture Fund and offered in conjunction with the Present Tense Initiative.

(Image credit: Photo by Allison White/PEM.)

The Yoda Project: An Interview

“I remember sending it to my grandmother and my grandmother was like, This is the strangest Christmas card I’ve ever gotten in my life. And I said, well, you know, hang on, it’s going to get weirder!”

Artist Gwen Smith tells the origin story of her series The Yoda Project, photographs she first shared with family and friends as Christmas cards. Who is this enigmatic Yoda?

Read the transcript.

The Works

Cory Arcangel

Image of Cory Arcangel, still from Totally Fucked, 2003, handmade hacked Super Mario Brothers cartridge and Nintendo NES video game system. Courtesy of the artist.

Cory Arcangel, still from Totally Fucked, 2003, hacked Super Mario Brothers cartridge and Nintendo NES video game system. On loan from the artist. Photo by Maria Zanchi. © Cory Arcangel

 

Cory Arcangel, still from Self Playing Nintendo 64 NBA Courtside 2, 2011, hacked Nintendo 64 video game controller, Nintendo 64 game console, NBA Courtside 2, game cartridge, and video. Courtesy of the artist.

Cory Arcangel, still from Self Playing Nintendo 64 NBA Courtside 2, 2011, hacked Nintendo 64 video game controller, Nintendo 64 game console, NBA Courtside 2 game cartridge, and video. On loan from the artist. Photo by Maria Zanchi. © Cory Arcangel

Learn more about Cory Arcangel.

 

Mark Bradford

Mark Bradford, Practice

Mark Bradford, Practice, 2003, video (3 minutes). Courtesy of the artist and Hauser & Wirth, Zurich, Switzerland.

Learn more about Mark Bradford.

 

Nick Cave

Nick Cave, clip from Bunny Boy, 2012, video (14 minutes). Courtesy of the artist and Jack Shainman Gallery, New York. © Nick Cave

Learn more about Nick Cave.

 

Martin Creed

Martin Creed, Work No. 329, 2004, balloons. On loan from Rennie Collection, Vancouver. Photo by Bob Packert/PEM.

 

Martin Creed, Work No. 798, emulsion on wall, 2007. Courtesy of the artist and Hauser & Wirth. Photo by Bob Packert/PEM.

Learn more about Martin Creed.

 

Lara Favaretto


Lara Favaretto, Coppie Semplici / Simple Couples, 2009, seven pairs of car wash brushes, iron slabs, motors, electrical boxes, and wires. On loan from Rennie Collection, Vancouver. Photo by Bob Packert/PEM.

Learn more about Lara Favaretto.

 

Cao Fei

Cao Fei, Rumba 01 & 02, 2016, cleaning robots and pedestals. Photo courtesy of the artist and Vitamin Creative Space. Photo by Bob Packert/PEM.

 

Cao Fei, still from Shadow Life, 2011, video (10 minutes). On loan from the artist and Vitamin Creative Space. Courtesy of the artist and Vitamin Creative Space.

Learn more about Cao Fei.

 

Brian Jungen

 

Brian Jungen, Owl Drugs, 2016, Nike Air Jordans and brass. On loan from the artist and Casey Kaplan, New York. Photo by Jean Vong.

 

Brian Jungen, Horse Mask (Mike), 2016, Nike Air Jordans. On loan from the artist and Casey Kaplan, New York. Photo by Jean Vong.

 

Brian Jungen, Blanket no. 3, 2008, professional sports jerseys. On loan from the artist and Casey Kaplan, New York. Photo by Jean Vong.

Learn more about Brian Jungen.

 

Teppei Kaneuji

Teppei Kaneuji, Teenage Fan Club (#66–#72), 2015, plastic figures and hot glue. On loan from the artist and Jane Lombard Gallery, New York. Photo by Bob Packert/PEM.

 

Teppei Kaneuji, White Discharge (Built-up Objects #40), 2015, wood, plastic, steel, and resin. On loan from the artist and Jane Lombard Gallery, New York. Photo by Bob Packert/PEM.

Learn more about Brian Jungen.

 

Paul McCarthy

Paul McCarthy, Pinocchio Pipenose Householddilemma, 1994, video (44 minutes). On loan from the Marieluise Hessel Collection, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York. © Paul McCarthy

Learn more about Paul McCarthy.

 

Rivane Neuenschwander

Rivane Neuenschwander, Watchword, 2013, embroidered fabric labels, felt panel, wooden box, and pins. On loan from the artist and Tanya Bonakdar Gallery, New York; Fortes D’Aloia & Gabriel, São Paulo, Brazil; and Stephen Friedman Gallery, London.

Learn more about Rivane Neuenschwander.

 

Pedro Reyes

Pedro Reyes, Disarm Mechanized II, 2012–14, recycled metal from decommissioned weapons. On loan from the artist and Lisson Gallery, London. Photo by Bob Packert/PEM.

Learn more about Pedro Reyes.

 

Robin Rhode

Robin Rhode, still from He Got Game, 2000, digital animation (1 minute). On loan from the artist and Lehmann Maupin, New York and Hong Kong.

 

Robin Rhode, detail of Four Plays, 2012–13, inkjet prints. On loan from the artist and Lehmann Maupin, New York and Hong Kong.

 

Robin Rhode, Double Dutch.

Robin Rhode, Double Dutch, 2016, chromogenic prints. On loan from the David and Gally Mayer Collection. Photo courtesy the artist and Lehmann Maupin, New York and Hong Kong.

 

Robin Rhode, See/Saw.

Robin Rhode, See/Saw, 2002, digital animation (1 minute). On loan from the artist and Lehmann Maupin, New York and Hong Kong.

 

Robin Rhode, Street Gym, 2000–2004, digital animation (1 minute). On loan from the artist and Lehmann Maupin, New York and Hong Kong.

Learn more about Robin Rhode.

 

Roman Signer

Roman Signer, Kayak.

Roman Signer, Kajak (Kayak), 2000, video (6 minutes). On loan from the artist and Hauser & Wirth, Zurich, Switzerland.

 

Roman Signer

Roman Signer, Punkt (Dot), 2006, video (2 minutes). On loan from the artist and Hauser & Wirth, Zurich, Switzerland.

 

Roman Signer

Roman Signer, Bürostuhl (Office Chair), 2006, video (1 minute). On loan from the artist and Hauser & Wirth, Zurich, Switzerland.

 

Roman Signer, Rampe (Ramp), 2007, video (30 seconds). On loan from the artist and Hauser & Wirth, Zurich, Switzerland.

Learn more about Roman Signer.

 

Gwen Smith

Gwen Smith, from the series The Yoda Project, 2002–17, sixteen inkjet printed photographs. On loan from the artist.

Learn more about Gwen Smith.

 

 

Angela Washko

 

Performing in Public: Ephemeral Actions in World of Warcraft2012–17, three-channel video installation. Courtesy of the artist.

 

Performing in Public: Four Years of Ephemeral Actions in World of Warcraft (A Tutorial), 2017, video (1 minute, 44 seconds). Courtesy of the artist.

 

The Council on Gender Sensitivity and Behavioral Awareness in World of Warcraft, 2012, video.

Nature, 2012
7 minutes

Healer, 2012
4 minutes

Playing A Girl, 2013
21 minutes

Red Shirts and Blue Shirts (The Gay Agenda), 2014
24 minutes

We Actually Met in World of Warcraft, 2015
52 minutes

Safety (Sea Change), 2015
44 minutes, 19 seconds

Courtesy of the artist.

 

/misplay, from The World of Warcraft Psychogeographical Association, 2015, video (1 hour, 15 minutes). Courtesy of the artist.

Learn more about Angela Washko.

 

 

Agustina Woodgate

Agustina Woodgate, Rose Petals, 2010, stuffed animal toy skins. On loan from the Benjamin Feldman Collection. Courtesy of Spinello Projects, Miami.

 

Agustina Woodgate, Galaxy, 2010, stuffed animal toy skins. On loan from the Collection of Charles Coleman. Courtesy of Spinello Projects, Miami.

 

Agustina Woodgate, Royal, 2010, stuffed animal toy skins. On loan from the Collection of Alan Kluger and Amy Dean. Courtesy of Spinello Projects, Miami.

 

Agustina Woodgate, Peacock, 2010, stuffed animal toy skins. On loan from the artist and Spinello Projects. Courtesy of Spinello Projects, Miami.

 

Agustina Woodgate, Jardin Secreto, 2017, stuffed animal toy skins. On loan from Alex Fernandez-Casais. Photo by Bob Packert/PEM.

Learn more about Agustina Woodgate.

 

Erwin Wurm

Erwin Wurm, 59 Stellungen (59 Positions).
Erwin Wurm, 59 Stellungen (59 Positions), 1992, video (20 minutes). On loan from Studio Erwin Wurm. Courtesy of Studio Erwin Wurm.

 

Erwin Wurm, Double Piece, 2002, from the series One Minute Sculptures, ongoing, sweater, instruction drawing, and pedestal, performed by the public. On loan from Studio Erwin Wurm. Photo by Bob Packert/PEM.

 

Erwin Wurm, Organisation of Love, 2007, from the series One Minute Sculptures, ongoing, utensils, instruction drawings, and pedestal, performed by the public. On loan from Tate Modern. Photo by Bob Packert/PEM.

 

Erwin Wurm, Metrum, 2015, from the series One Minute Sculptures, ongoing, shoes, instruction drawing, and pedestal, performed by the public. On loan from Studio Erwin Wurm. Photo by Bob Packert/PEM.

 

Erwin Wurm, Sweater, pink, 2018, cotton-acrylic blend fabric and metal. On loan from Studio Erwin Wurm. Photo by Bob Packert/PEM.

Learn more about Erwin Wurm.

loading...
Bitnami